PORTRAITURE - AN EXHIBITION
Exhibition dates: November 11 - December 22, 2017
Soft Opening November 11th 5-8pm
Friday, November 17 at 1 PM - 2 PM- Lecture with Shane Guffogg
1st Saturday Opening Reception December 2nd 6-10pm
"Portraiture - An Exhibition" curated by Shane Guffogg,
A variation of the exhibition was formerly shown at Pharmaka Art, Los Angeles, CA (2006) and The Lindsay Museum, Lindsay, CA (2016).
Exhibiting artists in alphabetical order:
Xander Berkeley, Don Bachardy, Jeff Britton, Shane Guffogg, Laura Hipke, Doro Hofmann, Michael Lindsay – Hogg, Deborah Martin, Ed Ruscha, Paul Ruscha, Alison Van Pelt and Vonn Sumner
Vonn Sumner, Cabal (A), 2006, oil on linen, 20 x 16 inches
Portraiture goes back in time to the stone ages (some 30,000 plus years ago), and continues all the way through to today. Images of the human face have served as a vessel to carry ideas of who we were – and are – throughout the centuries, ranging from the idealized forms of the Sumerians and Egyptians, to the naturalized images of Greeks and Romans and back again to stylized images of the Byzantine era, only to find a new idealized form of realism in the 1400’s, now commonly known as the Renaissance.
Each style change was prompted or accompanied by a change of ideas of how the people thought about their world and their place in it. By the beginning of the 20th century, Picasso's portraits had run the full gamut of every style that had preceded him until he took his cue from the new ideas of science (relativity) and began fragmenting his images, creating multiple of views, simultaneously.
And then there is Andy Warhol and his use of photography and screen printing to replicate the mid 20th century's world of images, showing us not only how we see but how the images are made.
That leads us up to today. But one big difference between where we are now versus where we were, even 10 years ago, is that throughout history their have been trends that get coined as an “Ism” like French Impressionism. But in our technologically driven- information age, there is no one style or idea that dominates the artistic landscape.
In fact it is just the opposite because now with a click on the mouse or keypad, virtually any image from anywhere in the world is available. I like to think of the computer screen as a portal into a 4th dimension where the past and present are all there, existing simultaneously.
Doro Hoffman